Joshua Reynolds – Sir Jeffrey Amherst
c.1768. 76×64
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The horse is depicted in mid-stride, its hooves raised as if caught in motion. The animal’s pale coloration contrasts sharply with the darker tones of the figures clothing and the background. This contrast draws immediate attention to both the man and his mount, emphasizing their power and control. The artist has employed a loose brushstroke technique, particularly evident in the rendering of the horse’s mane and tail, which contributes to a sense of dynamism and energy within the scene.
The backdrop is indistinct, shrouded in a murky blue-grey atmosphere that obscures any specific landscape details. This lack of clarity serves to isolate the figure and his steed, focusing attention solely on their presence. A faint suggestion of what might be a battlefield or encampment appears at the lower edge of the composition, indicated by muted reddish hues – a subtle nod towards potential conflict or military action.
Subtleties within the painting suggest more than just a straightforward depiction of a man and his horse. The figure’s gaze is directed slightly off-center, conveying an air of authority and perhaps even detachment. The overall impression is one of restrained power and calculated control – a portrayal intended to project an image of leadership and command. The subdued color palette and the somewhat somber expression contribute to a sense of gravity and seriousness, hinting at the weight of responsibility borne by the individual depicted.