Arcangel San Rafael1925 Julio Romero de Torres (1874-1930)

The composition presents a vertical arrangement dominated by three figures: two women and a central, winged being. The artist has positioned them against a blurred landscape backdrop, suggesting depth but maintaining focus on the foreground interaction.
On the left stands a woman draped in a terracotta-colored garment that clings to her form. Her posture is assertive; she holds out an object – seemingly a small bouquet of flowers – towards the figure on the right. A subtle expression of concern or perhaps cautious offering appears on her face.
The central figure, clearly intended as divine, possesses large wings and is clad in shimmering robes adorned with what appear to be jewels. One hand rests gently upon the shoulder of the woman on the right, while the other extends towards the bouquet offered by the woman on the left. The being’s gaze appears directed downwards, suggesting a benevolent observation or intervention.
The figure on the right displays an attitude of supplication. She is veiled and her head is bowed in what seems to be prayer or deep contemplation. Her dark wings contrast sharply with the warm tones of the other figures, creating a visual distinction that might signify a separation or transition. The placement of her hands – clasped together – reinforces this sense of reverence and vulnerability.
Beneath the figures lies an ornate structure, possibly a throne or altar, decorated with sculpted reliefs depicting human forms in various states of suffering or struggle. This base seems to symbolize the earthly realm from which these individuals are seeking solace or guidance. The presence of oranges scattered near the left figure could be interpreted as symbols of abundance and fertility, juxtaposed against the somber mood of the scene.
The color palette is predominantly warm – ochres, reds, and golds – which contributes to a sense of solemnity and spiritual significance. However, the dark tones used for the wings of the right-hand figure introduce an element of melancholy or perhaps foreshadowing. The blurred background landscape, rendered in muted greens and blues, serves to isolate the figures and emphasize their emotional interaction.
Subtly, the painting seems to explore themes of faith, healing, and intercession. The offering of flowers might represent a plea for divine assistance, while the central figure’s gesture suggests compassion and protection. The woman on the rights posture conveys a sense of personal struggle or spiritual seeking. Overall, the work evokes an atmosphere of quiet contemplation and profound emotional depth.