Here we observe a portrait drawing executed in pencil on paper, depicting a man in military attire. The subject is positioned facing forward, his gaze directed towards the viewer with a degree of solemnity. His expression suggests composure and perhaps a hint of restrained emotion. The artist has rendered the man’s features with considerable detail, emphasizing the contours of his face – the prominent brow, the shape of his nose, and the subtle curve of his lips. The hair is styled in a fashionable cut for the period, short at the sides and longer on top, meticulously shaded to suggest volume and texture. The man’s military uniform is depicted with precision; epaulettes are clearly defined, along with various medals and decorations affixed to his chest. These details underscore his rank and service within the armed forces. The rendering of the fabric suggests a degree of formality and status. The drawings tonal range is achieved through varying degrees of pencil pressure, creating highlights and shadows that give form and depth to the subject. The background is left largely unrendered, which directs focus entirely on the individual portrayed. Beneath the depiction, handwritten script appears – likely a signature or inscription accompanied by the date 1829. This textual element provides contextual information regarding the drawings creation and potentially identifies the artist or someone associated with the subject. The handwriting itself is elegant and characteristic of the period. Subtly, the portrait conveys an impression of authority and dignity. The man’s posture and expression suggest a sense of duty and responsibility, typical of military officers in this era. The drawings overall aesthetic aligns with the conventions of formal portraiture prevalent during the early nineteenth century, emphasizing realism and meticulous detail to capture the likeness and status of the individual represented.
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Portrait of Captain - Lieutenant Nikolai Petrovich Yepanchina. 1829 BA, um. c. 28, 7h22 ES, MA — Orest Adamovich Kiprensky
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The artist has rendered the man’s features with considerable detail, emphasizing the contours of his face – the prominent brow, the shape of his nose, and the subtle curve of his lips. The hair is styled in a fashionable cut for the period, short at the sides and longer on top, meticulously shaded to suggest volume and texture.
The man’s military uniform is depicted with precision; epaulettes are clearly defined, along with various medals and decorations affixed to his chest. These details underscore his rank and service within the armed forces. The rendering of the fabric suggests a degree of formality and status.
The drawings tonal range is achieved through varying degrees of pencil pressure, creating highlights and shadows that give form and depth to the subject. The background is left largely unrendered, which directs focus entirely on the individual portrayed.
Beneath the depiction, handwritten script appears – likely a signature or inscription accompanied by the date 1829. This textual element provides contextual information regarding the drawings creation and potentially identifies the artist or someone associated with the subject. The handwriting itself is elegant and characteristic of the period.
Subtly, the portrait conveys an impression of authority and dignity. The man’s posture and expression suggest a sense of duty and responsibility, typical of military officers in this era. The drawings overall aesthetic aligns with the conventions of formal portraiture prevalent during the early nineteenth century, emphasizing realism and meticulous detail to capture the likeness and status of the individual represented.