Konstantin Alekseevich Korovin – port of Archangel on the Dvina. 1894
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The foreground is occupied by a chaotic arrangement of timber logs stacked high near the waters edge. A small figure, clad in red, stands amidst these logs, seemingly overseeing or participating in their handling. Further along the shore, groups of figures are engaged in various tasks – loading and unloading goods, repairing equipment, or simply observing the activity. The artist has rendered them with a degree of anonymity, emphasizing their role as components within the larger industrial process rather than individual portraits.
The color palette is muted, primarily consisting of earthy tones – browns, ochres, grays – reflecting the harshness and practicality of the environment. Patches of brighter colors appear in the clothing of some figures, providing small visual accents against the predominantly somber backdrop. The brushwork is loose and expressive, contributing to a sense of immediacy and capturing the dynamism of the scene.
Subtly, the painting conveys a feeling of both prosperity and toil. The presence of numerous ships and abundant timber signifies economic activity and trade, yet the labor depicted appears arduous and demanding. Theres an underlying melancholy evoked by the overcast sky and the muted colors, hinting at the challenging conditions faced by those who work in this port. The vastness of the water and the distant shoreline also suggest a sense of isolation and the scale of the natural environment against which human endeavors unfold. It is not merely a depiction of commerce; it’s an exploration of labor, landscape, and the quiet dignity of everyday life within a specific geographical context.