Lilac. 1915 Konstantin Alekseevich Korovin (1861-1939)
Konstantin Alekseevich Korovin – Lilac. 1915
Edit attribution
Download full size: 772×1000 px (0,1 Mb)
Painter: Konstantin Alekseevich Korovin
Konstantin Alekseevich Korovin was the epitome of the artistic bohemia of his time. With his artistic character and vivid charisma, the artist was a celebrity and a favorite in all of Moscow. With his remarkable talent and references, he never finished his studies at the Academy of Fine Arts. On the one hand, his enthusiastic and carefree nature hindered him, on the other - disappointment in the methods of teaching and his own, knocking out against the general background of a free and bold technique of writing. Korovin loved life and enjoyed it, considered the main task of creativity to share the joy and colors of the world around in the paintings.
Description of the painting "Lilacs" by Konstantin Korovin
Konstantin Alekseevich Korovin was the epitome of the artistic bohemia of his time. With his artistic character and vivid charisma, the artist was a celebrity and a favorite in all of Moscow. With his remarkable talent and references, he never finished his studies at the Academy of Fine Arts. On the one hand, his enthusiastic and carefree nature hindered him, on the other - disappointment in the methods of teaching and his own, knocking out against the general background of a free and bold technique of writing.
Korovin loved life and enjoyed it, considered the main task of creativity to share the joy and colors of the world around in the paintings. The works of the Impressionists and Post-Impressionists, as well as the Symbolists became his main reference points. Konstantin Alekseevich tried his hand at various fields - theater, architecture, applied art, he wrote and experimented with genres. All the painting of the creator is distinguished by the richness and brightness of the colors, light and versatility of happiness.
Korovin brought new trends in the genre of still life. Even in the very first works he painted the objects with great care. In 1915, at the height of his creative career, he painted "Lilacs". Without a doubt, this work is executed with the skill of an established impressionist painter. Clean light and expressive strokes form a multifaceted inflorescence. Difficult to perceive at close viewing, at a distance the light tones of the bouquet are filled with the light of the June sun. The dancing glare on the bottles and the "vibrating" dance of shapes and forms add vividness to the soulless composition. Each object is painted with love, without refined details, but with juicy and expressive strokes.
The ease and keenness of the artist’s perception allows him to discover the richness and special charm of form and color in simple, everyday objects. A special role is given to color nuances, the game of shades, which all together give rise to the impression of "movement". The viewer does not just admire the bouquet of flowers, but feels the aroma of summer and absorbs the light and warmth of the bright still life.
Кому понравилось
Пожалуйста, подождите
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
You need to login
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).



















You cannot comment Why?
This is a still life oil painting titled Lilac from 1915. The artist captures a luxurious bouquet of lilacs in various shades of purple and pink, dramatically arranged in a large glass vase. The lilacs, depicted with thick, expressive brushstrokes, dominate the upper half of the canvas, their delicate blooms rendered with vibrant, textured impasto.
To the left of the vase sits an ornate ceramic pitcher, its dark blue surface adorned with a striking gold patterned glaze. Beside the pitcher, two bright yellow lemons lie on the white tablecloth, their smooth, rounded forms contrasting with the soft textures of the flowers.
To the right of the vase, two glass objects are present: a dark, round-bodied bottle with a narrow neck, and a vibrant green glass cup with a yellow rim. These elements, along with the window with its grid-like panes in the upper left, suggest an indoor setting, likely a domestic interior bathed in natural light. The background is dark and somewhat indistinct, allowing the brightly lit objects in the foreground to stand out. The tablecloth, rendered with dynamic strokes of white, blue, and violet, further adds to the play of light and shadow.
The paintings subtexts can be interpreted in several ways: