Dario di Giovanni – Saint Bernardino of Siena Los Angeles County Museum of Art (LACMA)

The composition presents a full-length depiction of a figure in religious garb, set against a dark, architectural backdrop. The individual stands centrally within the frame, facing forward with a direct gaze towards the viewer. He is clad in a voluminous habit, its folds meticulously rendered to suggest both weight and texture. A rope cord encircles his waist, indicative of his monastic status. His hands hold an open book, positioned at chest level, while he gestures upwards with his other hand. Above him hovers a halo, emanating from within a circular aureole.
Flanking the central figure are three suspended objects – ornate containers or reliquaries – each adorned with intricate detailing and attached to the background by means of decorative cords. These elements appear as visual extensions of the saint’s spiritual influence, perhaps representing gifts or symbols associated with his ministry. The ground beneath him is a patch of vegetation, sparsely populated with flowering plants, providing a grounding element within the otherwise elevated setting.
The artist employed a restrained palette dominated by earth tones – ochre, brown, and grey – with touches of red in the cords connecting the reliquaries. Light falls primarily from the left, illuminating the figure’s face and highlighting the folds of his habit. The background architecture is rendered with a degree of simplification, suggesting depth without excessive detail.
The posture of the individual conveys authority and piety. His direct gaze establishes a connection with the viewer, while the gesture towards the heavens implies divine inspiration or revelation. The open book signifies knowledge and scripture, reinforcing his role as a religious figure. The presence of the reliquaries suggests veneration and the preservation of sacred objects, likely linked to his life and miracles.
The overall effect is one of solemnity and reverence, intended to inspire contemplation and devotion in the observer. The deliberate arrangement of elements – the central placement of the figure, the symbolic objects, and the controlled lighting – contribute to a sense of order and spiritual significance.