Spring. Last snow: 1. 1895 Isaac Ilyich Levitan (1860-1900)
Isaac Ilyich Levitan – Spring. Last snow: 1. 1895
Edit attribution
Download full size: 1000×775 px (0,1 Mb)
Painter: Isaac Ilyich Levitan
Album navigation:
Isaac Levitan was a Russian painter of the nineteenth to the turn of the twentieth century, known for paintings that reflected the beauty and all the essence of Russian nature. His paintings became a great success during his lifetime, which undoubtedly testifies to the tremendous talent of the painter, capable of expressing, with simple colors, that inexhaustible vitality of nature at any season, which even today few can capture, even with a photographic lens. The painting "Spring.
ArtClub
Best Contemporary Atists
Description of Isaac Levitan’s painting "Spring. The Last Snow."
Isaac Levitan was a Russian painter of the nineteenth to the turn of the twentieth century, known for paintings that reflected the beauty and all the essence of Russian nature.
His paintings became a great success during his lifetime, which undoubtedly testifies to the tremendous talent of the painter, capable of expressing, with simple colors, that inexhaustible vitality of nature at any season, which even today few can capture, even with a photographic lens.
The painting "Spring. The last snow" painted by the artist in 1895, just 5 years before his death. The painting shows a small river, barely freed from the ice, but ready to pour their waters on the surrounding banks.
Spring has just begun, nature has not yet had time to wake up from its winter cold and hibernation, and only the river has thrown off its shackles. The snow-white snow is covered with gray patches and gradually disappearing, the trees stand bare, but already awakening.
The birches seen in the distance behind the forest are already ready to be covered with the first spring buds. The sun is shining, you can’t see its rays, but it’s easy enough to understand by the light that comes from the blue sky, and from the boiling river and even from the melting snow.
The skill of the artist allowed him to give, in general, a gloomy landscape the charm of early spring, which is visible only to a true lover of nature, because very soon, the river banks will be covered with grass, and the forest edge will drown in flowers, the first birds will fly in and the long-awaited warmth will come.
That moment anticipates the picture, and we want to see what will happen next, how will this wonderful transformation, for which with such care prepares us for the artist, whose brush so clearly painted every tree, every twig and bump. Bright, colorful and spiritual painting is ranked as one of the best examples of pictorial art in Russia and the world.
COMMENTS: 1 Ответы
Весна.. и снег последний тает и весело бегут ручьи
Зима уж больше не обманет и холода не вечны дни.
Уходит меланхолия из тела и отзвуки печальных
дум
И в счастье можно снова верить и ждать приход
любовных бурь.
You cannot comment Why?
The color palette is characterized by muted tones – browns, ochres, and grays – reflecting the earth’s awakening from winter dormancy. Patches of lingering snow appear stark against the exposed soil and the reddish-brown hues of the bare trees lining the riverbank. The artist employed a loose, expressive brushstroke, particularly evident in the rendering of foliage and water, creating a sense of movement and vitality.
The light source appears to be diffused, casting soft shadows and contributing to an overall atmosphere of quiet contemplation. The sky is barely visible, obscured by the dense tree line, which further emphasizes the intimacy of the scene.
Subtly, the painting conveys a feeling of hope and renewal. While remnants of winter persist – the snow patches – they are clearly receding, yielding to the promise of burgeoning life. The river itself symbolizes this flow of change, its surface reflecting the sky and hinting at the potential for growth. The bare trees, though seemingly lifeless, suggest an imminent burst of foliage.
The absence of human presence contributes to a sense of solitude and invites introspection on the cyclical nature of time and the enduring power of natural processes. It is not merely a depiction of a landscape; it’s a meditation on the delicate balance between endings and beginnings.