Mauritshuis – Quinten Massys (and/or studio) - Madonna and Child
c.1525-1530, 75×63 cm.
Quinten Massys (and/or studio) (1465/1466-1530)
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The child, nestled against his mother’s chest, appears to be receiving a kiss or gentle touch on the cheek. His body is rendered with a delicate realism, highlighting the softness of his skin and the vulnerability of infancy. The artist has paid particular attention to the modeling of light and shadow across the infants form, contributing to its three-dimensionality.
The woman’s attire consists of a blue robe lined with crimson fabric, suggesting both royalty and piety. Her hair is partially covered by a veil, typical for depictions of modesty and religious devotion. In her outstretched hand, she holds a single red berry, an element that introduces ambiguity into the scene. It could symbolize temptation, innocence, or perhaps a foreshadowing of sacrifice.
Through the arched window behind them, a landscape unfolds – a distant view of rolling hills and scattered buildings under a muted sky. This glimpse of the external world contrasts with the intimate domesticity of the foreground, hinting at a connection between the sacred and the mundane.
At the base of the composition, a still life arrangement of grapes and an apple is presented on a wooden surface. The fruit’s presence adds another layer of symbolic complexity; grapes often represent abundance and joy, while apples are associated with knowledge and transgression in religious narratives.
The overall effect is one of quiet contemplation, blending maternal affection with subtle undertones of spiritual significance. The artists use of rich colors, detailed rendering, and carefully chosen objects creates a work that invites prolonged observation and encourages multiple interpretations.