Mauritshuis – Alessandro Allori (circle of) - Portrait of a Woman
c.1585-1600, 95×73 cm. Alessandro Allori (circle of) (1535-1607)
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The woman’s gaze is direct and unwavering; she looks out towards the viewer with a composed expression. Her features are realistically depicted, though idealized – a slightly high forehead, full lips, and a delicate nose contribute to an image of refined beauty. The artist has paid close attention to rendering the texture of her skin, capturing subtle nuances in tone and light.
Her attire is indicative of a fashionable woman from the late 16th or early 17th century. She wears a dark velvet bodice with contrasting white sleeves, elaborately embroidered with intricate patterns. A high, starched ruff frames her neck, adorned with a delicate pearl necklace. The details of her clothing suggest wealth and social standing. Her hair is styled simply, pulled back from the face and secured with what appears to be a small jeweled ornament.
In her hands, she holds a folded piece of fabric – likely linen or lace – which she grasps delicately. This gesture, while seemingly innocuous, could carry symbolic weight; it might represent modesty, domesticity, or even a veiled reference to virtue. The fabric’s pale color provides a visual contrast against the darker tones of her dress and skin.
The subdued palette – dominated by dark browns, blacks, and creams – contributes to an atmosphere of quiet dignity and restraint. Light falls primarily on her face and hands, highlighting these areas and creating a sense of depth. The overall effect is one of controlled elegance and understated power.
Subtly, the painting conveys a sense of status and propriety. It’s likely intended as a record of identity and social position rather than an exploration of personality. The womans direct gaze suggests confidence and self-assurance, while her formal attire reinforces her elevated place within society.