Mauritshuis – Marcello Fogolino - Madonna and Child, Enthroned, with Six Saints
c.1516, 264.7×194 cm.
Marcello Fogolino (c.1470-1550)
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The composition presents a central figure of a woman seated upon an elaborate throne, holding an infant in her lap. She is draped in a deep blue robe with gold detailing, and her expression conveys a sense of serene dignity. The child, positioned centrally, gazes outward with a directness that draws the viewers attention.
Flanking this central grouping are six figures identified as saints, arranged symmetrically on either side. Their poses suggest reverence and supplication towards the enthroned woman and child. Each saint holds an attribute – a palm branch, a book, a skull – which likely signifies their individual identities and stories within the religious narrative. The artist has rendered them with varying degrees of detail, some appearing more shadowed than others, creating a sense of depth and spatial recession.
The setting is an architectural space, seemingly a church or chapel interior. A grand archway frames the central figures, emphasizing their importance. Above the throne hangs a decorative element – a golden orb adorned with foliage – which serves as a focal point within the upper portion of the composition. The architecture itself appears somewhat austere, with plain walls and simple columns, which directs focus towards the religious scene unfolding before it.
The color palette is dominated by blues, reds, and golds, creating a sense of richness and solemnity. The use of light and shadow contributes to the overall drama, highlighting certain features while obscuring others. A skull at the base of the throne introduces an element of memento mori, reminding viewers of mortality even within this scene of divine grace.
Subtly, the arrangement of figures and architectural elements suggests a hierarchical structure – the enthroned woman and child are elevated above the saints, who in turn stand before the viewer. This visual hierarchy reinforces the spiritual authority of the central figures. The overall effect is one of piety, reverence, and an invitation to contemplation on themes of faith, motherhood, and mortality.