Mauritshuis – Rembrandt van Rijn (and/or studio) - Saul and David
c.1650-1655, 130×164.5 cm.
Rembrandt van Rijn (and/or studio) (1606-1669)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the right stands a younger figure, presumably female, engaged in playing a stringed instrument – a harp or lyre. Her expression appears earnest, almost pleading, as she focuses on her music. She is positioned slightly forward, creating a visual link between the two figures despite their differing emotional states. The light catches her face and hands, highlighting her role as an intermediary, attempting to soothe the troubled man through her performance.
The artist employed a restricted palette of warm tones – reds, browns, and ochres – which contribute to the overall somber mood. The background is rendered in deep shadow, effectively isolating the two figures and intensifying their emotional impact. This darkness also serves to heighten the contrast with the illuminated areas, drawing attention to the details of their clothing and facial expressions.
Subtleties within the painting suggest a narrative beyond the immediate visual representation. The king’s posture implies not just sadness but perhaps a sense of powerlessness or impending doom. The young womans music seems less about entertainment and more about an attempt at solace, hinting at a complex relationship between them – perhaps one of servant to ruler, or even something deeper. The spear, a symbol of authority and potential violence, is rendered almost carelessly, suggesting a relinquishing of control.
The painting’s strength lies in its ability to convey psychological depth through carefully orchestrated lighting, posture, and color. It evokes a sense of quiet drama, inviting contemplation on themes of power, vulnerability, and the redemptive qualities of art.