Gerard ter Borch – Mother Combing Her Child’s Hair, (’Hunting for Lice’) Mauritshuis

The scene unfolds within a dimly lit interior, dominated by a sense of quiet domesticity. A woman sits in a simple wooden chair, her posture suggesting attentiveness and care as she tends to a young child seated on her lap. The childs head is tilted slightly downwards, eyes fixed on something beyond the viewer’s perspective, perhaps lost in thought or experiencing discomfort from the combing process.
The artist has rendered the woman with a restrained palette of dark greens and browns, contrasted by the crisp white of her collar and cap. These details draw attention to her face, which displays an expression that is difficult to read definitively – it could be interpreted as gentle concern, weary resignation, or perhaps even a touch of annoyance. The child’s attire mirrors this subdued color scheme, with a red jacket providing a small but significant visual accent.
The lighting in the painting is particularly noteworthy. A single source illuminates the figures from the left, casting deep shadows that obscure parts of the room and contribute to an atmosphere of intimacy and introspection. This selective illumination highlights the textures of their clothing – the sheen of the woman’s fabric, the rough weave of the chairs upholstery – adding a layer of realism to the depiction.
The presence of a small table in the background, sparsely adorned with ceramic objects, hints at the everyday nature of this domestic scene. The details are understated, avoiding any overt display of wealth or status.
Beyond the surface narrative of maternal care, the painting seems to explore themes of vulnerability and routine. The act of searching for lice is a common, often unpleasant, aspect of childhood, and its depiction here suggests an acceptance of the mundane realities of family life. It’s not presented as a moment of drama or heightened emotion, but rather as a quiet, recurring duty.
The childs averted gaze and the womans ambiguous expression invite contemplation about the unspoken dynamics within this familial relationship. The painting doesnt offer easy answers; instead, it presents a glimpse into a private world, leaving room for individual interpretation regarding the emotional complexities at play.