Richard I the Lionheart (1157-1199) King of England Merry-Joseph Blondel (1781-1853)

The composition presents a figure in regal attire, positioned against a dark, undefined background that emphasizes his presence and isolates him from any discernible setting. He stands in a three-quarter pose, angled slightly towards the viewer, which creates a sense of engagement while maintaining an air of formality. The man’s gaze is directed upwards and to the left, suggesting contemplation or perhaps divine inspiration rather than direct interaction with the observer.
The artist has rendered him as a figure of considerable stature, conveying authority through his posture and elaborate clothing. He wears a crown adorned with what appears to be metalwork, signifying royal power. A heavy, ornate helmet sits atop his head, further reinforcing this image of military leadership and protection. The cloak is richly decorated with heraldic symbols – a prominent white cross on a red field – which likely denote his allegiance or kingdom. The texture of the fabric is meticulously detailed, suggesting wealth and status.
He holds a scepter in his left hand, another traditional symbol of royal authority and dominion. A sword hangs at his side, hinting at both military prowess and the responsibility to defend his realm. The details of the hilt are rendered with care, indicating its importance as an emblem of power.
The color palette is dominated by deep reds, golds, and browns, contributing to a sense of grandeur and solemnity. The lighting appears to originate from above and slightly to the left, illuminating his face and upper body while leaving portions of the cloak in shadow. This creates a dramatic effect that draws attention to his features and emphasizes his importance.
Beneath the figure, a decorative cartouche provides identification through text: RICHARD Ier (RICHARD CŒUR DE LION) ROI D’ANGLETERRE. The date +1199 is also included, likely marking the year of his death. This inscription firmly anchors the portrait within a historical context and clarifies the subjects identity as Richard I, known as Richard Coeur de Lion, King of England.
The overall impression conveyed is one of solemnity, power, and piety. The artist seems to have aimed at portraying not just a king but an idealized representation of royal virtue – a leader both strong in military might and divinely sanctioned.