Giovanni dal Ponte – Saint Michael – Roundel above Left Panel Part 3 National Gallery UK

The composition presents a hierarchical arrangement of figures within an ornate gilded frame. Below a central roundel, three male portraits are aligned horizontally, their gazes directed towards the viewer. The overall effect is one of solemnity and reverence, reinforced by the rich materiality of gold leaf and elaborate sculptural detailing.
In the upper portion, the roundel contains a figure in armor, holding a spear and shield. He appears to be standing on what might represent a defeated entity, though this detail is partially obscured. The figure’s expression is resolute, conveying strength and divine authority. A halo surrounds his head, further emphasizing his elevated status. The use of vibrant reds and blues within the roundel contrasts with the more muted tones of the lower section, drawing immediate attention to the central figure.
Beneath the roundel, the three male portraits are rendered in a frontal pose, typical of Byzantine iconography. Each man is depicted with a halo, suggesting their sanctity or importance. The faces exhibit varying degrees of expressiveness; one appears somber, another contemplative, and the third displays a more direct gaze. A single word, EPISCOPATICA, is inscribed above this grouping, hinting at their roles as bishops or figures associated with ecclesiastical authority.
The frame itself contributes significantly to the work’s impact. The intricate carvings of foliage and small putti (cherubic figures) create a sense of opulence and heavenly abundance. This elaborate ornamentation serves not only as decoration but also as a visual barrier, separating the sacred figures from the earthly realm. The gilded surface reflects light, enhancing the paintings luminosity and reinforcing its spiritual significance.
The arrangement suggests a layered narrative: the central figure in the roundel likely represents an important celestial being, while the three portraits below may depict individuals of religious or political importance, perhaps patrons or saints associated with the larger work to which this section belongs. The inscription EPISCOPATICA further reinforces the connection between these figures and ecclesiastical power.