Hilaire Germain-Edgar Degas – Combing the Hair (La Coiffure) Part 3 National Gallery UK

Here we observe a domestic scene rendered in a palette dominated by warm reds and pinks, with touches of yellow and muted greens providing contrast. The composition is structured around two figures: a reclining woman and a standing attendant. The reclining figure occupies the left portion of the canvas, her body angled diagonally across what appears to be a chaise lounge or sofa. Her arm is raised above her head, supporting her weight while someone tends to her hair. She seems lost in thought, her eyes closed and expression serene, suggesting a moment of private indulgence or relaxation.
The attendant stands on the right side of the composition, engaged in the act of combing the reclining woman’s hair. Her posture is upright and attentive, though her gaze appears directed downwards, perhaps focused intently on her task. The difference in their postures – the languid repose of one versus the active engagement of the other – creates a visual tension that defines their relationship within the scene.
The background is ambiguous, suggested by broad strokes of red-orange paint which evoke drapery or wall coverings. This lack of specificity contributes to an overall sense of intimacy and enclosure, drawing attention to the interaction between the two figures. A table with various objects – a bottle and what appear to be cosmetic implements – is visible in the foreground, further reinforcing the setting as a private space dedicated to personal care.
The artist’s use of color is significant. The prevalence of red hues creates an atmosphere of warmth and sensuality, while also hinting at potential associations with luxury or privilege. The limited range of colors contributes to a sense of unity within the composition, yet subtle variations in tone create depth and visual interest.
Subtextually, the painting explores themes of intimacy, service, and perhaps even power dynamics. The relationship between the two women is not explicitly defined; they could be mistress and servant, mother and daughter, or simply friends engaged in a shared ritual. The act of combing hair – a gesture of care and attention – becomes symbolic of a broader exchange of dependence and trust. The closed eyes of the reclining woman suggest vulnerability and reliance on the attendant’s actions, while the attendants focused gaze implies responsibility and control. Ultimately, the work invites contemplation about the complexities of human relationships and the subtle nuances of social interaction within a domestic sphere.