Part 4 National Gallery UK – Jean-Baptiste Camille Corot - The Seine near Rouen
с1829-33
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The middle ground rises gradually into rolling hills, their contours softened by atmospheric perspective. A cluster of buildings sits atop one of these hills, hinting at human settlement within this landscape. The artist has employed a muted palette, with greens, browns, and grays predominating, contributing to the overall sense of tranquility and subdued light.
The sky is a significant element, filled with heavy, turbulent clouds that diffuse the sunlight. These clouds are not depicted as menacing but rather as an integral part of the scenes mood – one of quiet contemplation and natural grandeur. The brushwork appears loose and fluid, particularly in the rendering of the foliage and sky, suggesting an emphasis on capturing the fleeting effects of light and atmosphere.
Subtly, there is a sense of melancholy conveyed through the subdued color scheme and the overcast sky. It’s not a scene of vibrant activity but one of quiet observation. The placement of the buildings atop the hill suggests human presence, yet they are dwarfed by the scale of the natural environment, implying a relationship between humanity and nature that is both respectful and somewhat subordinate. The painting evokes a feeling of solitude and invites reflection on the passage of time and the enduring power of the landscape.