Part 5 National Gallery UK – Paulus Theodorus van Brussel - Fruit and Flowers
1789
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The composition presents a lavish still life arrangement, dominated by an abundance of fruit and flowering plants cascading across a wooden shelf. The artist has chosen a dark background, which serves to heighten the vibrancy of the objects depicted and create a sense of depth. Light falls from the left, illuminating certain elements while leaving others in shadow, contributing to a dramatic interplay of light and shade.
A variety of fruits are meticulously rendered: peaches, grapes (both green and purple), melons, cherries, and what appears to be a pineapple or similar tropical fruit. The textures are carefully observed – the smooth skin of the peaches contrasts with the fuzzy surface of the melon, while the plumpness of the grapes is evident through their individual rendering. These fruits are arranged in a seemingly haphazard manner, yet there’s an underlying sense of balance and deliberate placement.
Intertwined amongst the fruit are numerous flowering plants. Bright red carnations stand out prominently, alongside clusters of smaller blossoms and delicate foliage. The leaves themselves display a remarkable range of greens, from deep emerald to lighter, almost yellow hues. Vines and tendrils weave throughout the arrangement, further enhancing the feeling of overflowing abundance.
The shelf itself is rendered with attention to detail; its grain is visible, and it appears aged, suggesting a history or connection to domesticity. An inscription is present on the lower right corner, adding another layer of information about the work’s creation.
Beyond the purely descriptive elements, several subtexts emerge. The sheer quantity of fruit suggests prosperity and abundance – a common theme in still life paintings intended for display in affluent households. The inclusion of both European and potentially exotic fruits hints at trade routes and global connections. The fleeting nature of beauty and decay is also subtly implied; while the scene appears vibrant and fresh, it’s understood that these elements are subject to times passage. The arrangement can be interpreted as a memento mori, reminding viewers of the ephemeral quality of earthly pleasures. Finally, the meticulous detail and realistic rendering demonstrate the artist’s skill and mastery of their craft, elevating the commonplace into something worthy of contemplation.