Part 5 National Gallery UK – Marco Basaiti - The Virgin and Child
1496-05
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The child, centrally located, stands precariously on a low stone ledge. He appears to be reaching out with his right arm, as if gesturing toward something beyond the viewer’s perspective. His nudity is rendered with considerable detail, emphasizing the vulnerability and innocence associated with infancy. The artist has paid particular attention to the modeling of the childs flesh, creating a sense of volume and realism.
Behind them, a landscape unfolds, characterized by muted greens and browns punctuated by distant hills and what appears to be a body of water. A dark green curtain hangs on the left side, acting as a visual barrier between the figures and the background, while also contributing to the painting’s overall sense of depth. The sky is rendered with subtle gradations of grey and white, suggesting an overcast day.
The subdued palette contributes to a contemplative atmosphere. The limited range of colors – primarily blues, reds, greens, and browns – enhances the solemnity of the scene. The use of light is equally restrained; it falls softly on the figures, highlighting their forms without creating dramatic contrasts.
Subtly, theres an interplay between protection and release. The woman’s gesture suggests a nurturing role, yet her downward gaze implies a certain resignation or perhaps even foreboding. The child’s outstretched arm hints at a future beyond his mother’s immediate care, suggesting themes of growth, independence, and the passage of time. The landscape itself, while seemingly peaceful, possesses an understated sense of vastness that underscores the figures smallness within a larger world.