Part 5 National Gallery UK – Parmigianino - The Madonna and Child with Saints
1526-27
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The background behind them is rendered as a luminous cloudscape, suggesting a heavenly realm. This ethereal backdrop contrasts sharply with the more grounded figures positioned at the base of the composition. Two male figures are depicted in the foreground; one kneels, his body powerfully sculpted and directed towards the central group with an expression of reverence or supplication. He holds a staff, which could symbolize authority or guidance. Beside him lies another man, seemingly elderly, clad in red garments, appearing to be either asleep or incapacitated.
The artist’s use of elongated proportions is immediately apparent, particularly in the womans neck and fingers, contributing to an aesthetic that prioritizes elegance over naturalism. The lighting is soft and diffused, highlighting the figures’ idealized forms while obscuring details within the landscape. The color palette is restrained, with a predominance of blues, reds, and flesh tones, creating a sense of harmony and serenity.
Subtleties in the arrangement suggest layers of meaning beyond the straightforward depiction of a religious scene. The contrast between the active, kneeling figure and the passive, reclining one introduces an element of narrative tension or perhaps represents different states of faith or devotion. The child’s gesture, seemingly offering something to the viewer, invites participation and contemplation. The overall effect is one of idealized grace and spiritual elevation, characteristic of a style that emphasizes beauty and refinement over strict adherence to reality.