Style of Giovanni da Milano – Christ and the Virgin with Saints Part 6 National Gallery UK

The composition is rigidly structured into two distinct registers, creating a hierarchical visual narrative. The upper portion presents two figures seated opposite one another, their postures formal and symmetrical. Both are adorned in elaborate robes – one crimson, the other deep blue – and crowned with what appear to be jeweled head coverings. Their hands meet above an eight-pointed star, suggesting a moment of divine connection or blessing. The faces exhibit a certain solemnity, rendered with elongated features characteristic of the period’s artistic conventions. A gold background reinforces their elevated status and otherworldly nature.
Below this celestial scene unfolds a more earthly gathering. Here we see a group of figures arranged in a line, facing towards the upper register. Their attire is varied, ranging from regal garments to simpler robes, indicating differing social standings or roles within the depicted event. The color palette here shifts to include greens, reds, and blues, creating a contrast with the gold tones above. A prominent wheel lies on the ground near the center of this lower group, its presence enigmatic. It could symbolize movement, progress, or perhaps even suffering – a common motif in religious iconography representing martyrdom or trials endured for faith.
The artist’s use of perspective is limited; figures are presented largely in profile, contributing to a sense of formality and distance. The overall effect is one of reverence and solemnity, emphasizing the divine connection between the seated figures and those who appear to be paying homage below. The rigid structure and stylized rendering suggest an intention to convey spiritual authority rather than naturalistic representation. The wheel’s inclusion introduces a layer of complexity, inviting contemplation on themes beyond simple veneration.