The division of inheritance in the monastery (The death of a monk). Drawing pencil. 1868 Fig. 18h27, 5 GTG Vasily Perov (1833-1882)

The drawing presents a scene unfolding within what appears to be a monastic setting. A central figure lies deceased in bed, his body partially obscured by the heavy folds of bedding and the surrounding figures. The composition is dominated by a cluster of individuals gathered around him; their postures and expressions suggest a mixture of grief, calculation, and perhaps even avarice.
The artist employed a dramatic chiaroscuro effect, utilizing dense shading to create areas of deep shadow that contrast sharply with patches of brighter illumination. This technique directs the viewers attention towards key elements within the scene: the deceased monk’s face, the hands of those examining his possessions, and the expressions on their faces. The limited tonal range emphasizes the somber mood and contributes to a sense of claustrophobia within the confined space.
Several figures are actively engaged in what seems to be an inventory or division of belongings. One man, positioned prominently near the beds edge, holds a document or ledger, seemingly recording items as they are assessed. Another figure leans over the deceased, his hand extended towards something out of view, while another appears to be scrutinizing objects piled on a small table in the right corner. The presence of these actions suggests an underlying narrative concerning inheritance and material possessions, hinting at potential conflict or discord amongst those present.
The architectural setting is rendered with a degree of ambiguity; details are suggested rather than precisely defined. A framed picture hangs on the wall behind the bed, while another depiction of a crucifixion is visible further back in the room, adding layers of symbolic meaning to the scene. The overall impression is one of moral complexity and societal critique, where religious devotion intersects with human desires for wealth and power.
The artist’s use of pencil allows for a remarkable level of detail in rendering textures – the rough fabric of the monks robes, the wrinkles on their faces, and the folds of the bedding all contribute to the drawing’s realism and emotional impact. The loose, expressive lines convey a sense of immediacy and spontaneity, as if capturing a fleeting moment of human interaction within this solemn setting.