Kuzma Sergeevich Petrov-Vodkin – Boys on the background of the city. 1921
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The boys themselves occupy the foreground, their figures rendered with a degree of abstraction that prioritizes gesture over precise detail. One boy is depicted in a long, reddish-brown garment, his posture suggesting an outward gaze and perhaps a sense of anticipation or observation. The other, clad in blue, appears to be engaged in some activity – possibly holding something or preparing for action – his body angled towards the viewer. Their proximity suggests a relationship, possibly friendship or shared experience within this environment.
The color palette is dominated by earth tones – ochres, browns, and muted greens – which contribute to a feeling of warmth and perhaps nostalgia. The application of paint appears loose and expressive, with visible brushstrokes that add texture and dynamism to the scene. This technique lends an immediacy to the work, as if capturing a fleeting moment in time.
Subtly, the painting seems to explore themes of youth, community, and the relationship between individuals and their surroundings. The boys’ presence within this urban landscape suggests a sense of belonging, but also perhaps a vulnerability or uncertainty about the future. The city itself, while visually imposing, lacks a distinct character; it is more a collection of forms than a vibrant, living space. This ambiguity invites reflection on the impact of urbanization and its effect on human connection and individual identity. Theres an underlying sense of quiet contemplation, as if the boys are absorbing the atmosphere of their surroundings, poised between childhood innocence and the complexities of the world around them.