Sketch to the tragedy of Pushkin, Boris Godunov 2. 1923 Kuzma Sergeevich Petrov-Vodkin (1878-1939)

The drawing presents a solitary figure positioned centrally against a backdrop of loosely applied pink and red washes. The subject is rendered in a somewhat stylized manner, suggesting a theatrical or performative context. He stands with his weight shifted slightly to one leg, creating a subtle sense of movement despite the overall stillness of the composition.
Here we see a man dressed in what appears to be historical costume. A dark, possibly velvet, tunic falls to mid-calf, layered over a white shirt with elaborate lace detailing at the collar and cuffs. The sleeves are wide and billowy, contributing to an impression of grandeur or formality. He wears high boots, also rendered in a dark hue, which further emphasize his elevated status.
The artist’s handling of color is significant. The pink backdrop, applied with broad strokes, creates a sense of theatricality and isolates the figure, drawing immediate attention to him. The limited palette – primarily blacks, whites, and reds – contributes to a somber mood. The red tones in the background might allude to themes of conflict or passion, while the dark clothing suggests gravity and perhaps even mourning.
The facial expression is difficult to discern precisely, but it conveys an air of melancholy or introspection. His gaze appears directed downwards, suggesting contemplation or regret. This inward focus reinforces a sense of psychological depth, hinting at internal turmoil.
The sketch’s unfinished quality – the visible brushstrokes and the lack of meticulous detail – suggests that this is a preparatory study for a larger work, perhaps a stage design or costume illustration. The rapid execution lends an immediacy to the image, capturing a fleeting moment or impression rather than striving for photographic realism. It seems intended to convey not just appearance but also character and emotional state.

The overall effect is one of restrained drama, hinting at a narrative fraught with complexity and psychological weight.