1912 Guitare verte qui Вtend Pablo Picasso (1881-1973) Period of creation: 1908-1918

The composition presents a fragmented depiction of what appears to be a stringed instrument, likely a guitar. The artist has dismantled and reassembled its form into a series of intersecting planes and geometric shapes. These facets are not arranged in a manner that suggests spatial depth or traditional perspective; instead, they exist simultaneously on the picture plane, creating a flattened effect.
A dominant palette of muted greens, beige, ochre, and touches of blue contributes to an overall sense of subdued tonality. The green hues, particularly vibrant in certain sections, provide visual anchors amidst the more neutral tones. These colors are applied with visible brushstrokes, adding texture and emphasizing the materiality of the paint itself.
The instrument’s recognizable features – the sound hole, neck, and strings – are abstracted to the point where they become mere components within a larger network of shapes. The artist seems less interested in representing the object realistically than in exploring its constituent forms and their relationships to one another. Lines are not used for outlining but rather as directional cues, further contributing to the sense of fractured space.
Subtly embedded within the geometric structure are traces of what might be handwritten notations or sketches. These markings appear almost incidental, yet they suggest a process of creation – a layering of thought and execution. They hint at an underlying intellectual framework guiding the visual deconstruction. The presence of these annotations implies that the work is not merely a finished product but rather a record of experimentation and investigation.
The overall effect is one of controlled chaos; a deliberate dismantling of conventional representation in favor of a more conceptual exploration of form, color, and spatial relationships. It suggests an interest in challenging established modes of perception and offering a new way of seeing the world – or at least, a familiar object – through the lens of abstraction.