1917 LВonide Massine en arlequin Pablo Picasso (1881-1973) Period of creation: 1908-1918

The drawing presents a male figure in a theatrical pose, seemingly captured mid-movement. He stands with his weight shifted onto one leg, the other extended slightly forward, suggesting a dynamic and improvisational quality. His hands are positioned at his sides; one rests on what appears to be a prop or costume element, while the other is partially obscured by the fabric of his attire. The figure’s head is turned towards the viewer, conveying an air of self-awareness and perhaps even playful defiance.
The artist employed a technique that emphasizes line and texture over precise rendering. Hatching and cross-hatching dominate the composition, creating a sense of depth and volume through tonal variation. This approach lends the subject a raw, almost sketch-like quality, prioritizing gesture and expression over detailed anatomical accuracy. The limited palette – primarily shades of gray and black – further contributes to this feeling of immediacy and spontaneity.
The figure’s costume is noteworthy. It appears to be a stylized, perhaps fragmented version of traditional harlequin garb, with diamond patterns visible on the trousers. This suggests a connection to theatrical performance, specifically to the world of dance or mime. The somewhat disheveled appearance of the clothing – the folds and creases rendered with energetic strokes – implies movement and physicality.
The background is minimal, consisting of broad, horizontal lines that suggest a stage floor or platform. These lines do not define space in a conventional manner; instead, they serve to ground the figure and emphasize his presence within the composition. The signature visible at the top right corner provides further context, indicating the work’s origin as a study for a theatrical production.
Subtly, there is an element of melancholy present. While the pose conveys energy, the gaze directed towards the viewer holds a certain introspection. This could be interpreted as a reflection on the performers role – the tension between public display and private emotion inherent in the act of performance. The drawing’s overall effect is one of fleeting observation, capturing a moment of theatrical existence with both vitality and quiet contemplation.