Pablo Picasso Period of creation: 1908-1918 – 1909 Jeune fille assise
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist employed a limited palette, primarily consisting of muted browns, grays, and touches of pink and ochre. These colors contribute to a somber, melancholic atmosphere. The application of watercolor is loose and fluid, with washes creating subtle gradations in tone that suggest volume without resorting to precise modeling. Pencil lines delineate the contours of the figure and clothing, adding definition while maintaining an overall sense of sketchiness.
The girl’s posture is significant. She sits rigidly, her hands clasped loosely in her lap. This stillness contrasts with the implied movement suggested by the swirling patterns of her dress. The arrangement of her hair, braided and falling down her back, adds a touch of conventional femininity to an otherwise abstracted depiction.
Subtly, theres a sense of confinement or observation at play. The figure seems both present and distant, as if she is simultaneously aware of the viewer and lost in thought. This ambiguity invites speculation about her inner state – perhaps a moment of quiet contemplation, or a feeling of being observed. The lack of environmental context further isolates the subject, focusing attention solely on her presence and demeanor.
The overall effect is one of restrained emotion and psychological complexity. While seemingly straightforward in its depiction of a young girl, the work hints at deeper themes of identity, introspection, and the relationship between the individual and the world around them.