Pablo Picasso Period of creation: 1908-1918 – 1916 Homme Е la cheminВe
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The background appears to be a landscape, indicated by vertical planes that might represent trees or buildings. These elements are similarly fractured and integrated into the overall structure, blurring the distinction between figure and ground. A decorative motif, resembling stylized foliage or architectural ornamentation, borders the composition on either side, adding an element of formal elegance despite the underlying deconstruction.
The application of paint is textured; small dots and stippling create a granular surface that contributes to the sense of fragmentation and visual complexity. The color palette is muted, with earth tones predominating, though touches of blue provide contrast and depth. Light appears to emanate from multiple sources, casting shadows and highlighting different facets of the forms.
Subtly, there’s an implication of displacement or alienation. The figures disjointed form suggests a loss of wholeness or identity. The fractured landscape could be interpreted as symbolic of societal upheaval or psychological fragmentation – a sense of disorientation prevalent in the early twentieth century. The decorative borders, while visually appealing, also serve to frame and contain this unsettling scene, perhaps hinting at an attempt to impose order on chaos. Ultimately, the work invites contemplation about perception, representation, and the human condition within a rapidly changing world.