1920 Nature morte au verre Pablo Picasso (1881-1973) Period of creation: 1919-1930

The composition presents a fragmented still life contained within an oval border. The artist has broken down recognizable forms into geometric planes and facets, arranged in a manner that defies traditional perspective. A central cluster of shapes dominates the visual field; these appear as abstracted vessels or containers rendered in muted tones of grey, brown, and beige. These forms are intersected by sharp angles and overlapping surfaces, creating a sense of spatial ambiguity.
A circular element, positioned near the apex of the composition, introduces a focal point with its stylized floral motif. This detail, though simplified, hints at organic presence within the otherwise rigidly geometric arrangement. The background is divided into distinct sections. To the right, we observe a textured surface composed of repetitive undulating lines in shades of gold and brown, suggesting a patterned fabric or wall covering. The remaining areas are treated with flat planes of beige and grey, further emphasizing the deconstruction of space.
The color palette is restrained, relying on earthy tones to create a sense of quietude and introspection. The limited range contributes to an overall feeling of detachment and objectivity. Light appears diffused and even, eliminating strong shadows that would define volume in a more conventional manner.
Subtly, the work seems to explore themes of perception and representation. By dismantling recognizable objects into their constituent parts, the artist challenges the viewers ability to interpret reality through established visual conventions. The oval frame acts as both a boundary and a window, suggesting that what is depicted exists within a defined, albeit artificial, context. The repetition in the background pattern might be interpreted as a commentary on the cyclical nature of time or the inherent order underlying apparent chaos. Ultimately, the painting invites contemplation on the nature of form, space, and the act of seeing itself.