1921 La source1 Pablo Picasso (1881-1973) Period of creation: 1919-1930

The drawing presents a female figure reclining on what appears to be a rocky outcrop near water. The composition is dominated by this central figure, occupying most of the frame and positioned slightly off-center. She gazes directly outward, her expression seemingly contemplative or melancholic. Her posture suggests relaxation, yet theres an underlying tension conveyed through the angularity of her limbs and the slight clenching of her hand.
The artist employed a range of tonal techniques to define form and texture. Dense hatching creates volume in the figure’s body, particularly around the thighs and upper arms, while lighter strokes suggest the softness of skin. The rocky surface is rendered with short, energetic lines that emphasize its roughness. A simple band of darker shading delineates the waters edge, creating a visual separation between the foreground and background.
Behind the figure, a sparse landscape unfolds. Trees are suggested by quick, gestural marks, and a distant horizon line establishes depth. The overall palette is muted, relying on variations in gray to convey light and shadow. This limited color range contributes to a sense of quietude and introspection.
Subtleties within the work hint at deeper meanings. The figure’s nudity, while not overtly sexualized, evokes themes of vulnerability and exposure. Her direct gaze establishes an intimate connection with the viewer, inviting speculation about her thoughts and feelings. The presence of water – a recurring motif in art symbolizing purification or transformation – may suggest a sense of renewal or emotional cleansing. The crown of leaves adorning her head could be interpreted as a symbol of nature, innocence, or even a classical allusion to nymphs or goddesses.
The drawing’s style suggests an interest in capturing not just the physical appearance of the subject but also its psychological state. It is less concerned with precise realism and more focused on conveying mood and emotion through simplified forms and expressive linework.