Pablo Picasso Period of creation: 1919-1930 – 1922 Nature morte Е la guitare sur guВridon
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Flanking the guitar are geometric shapes – rectangles and squares – that appear to function as both background elements and compositional anchors. These forms are delineated with thick black outlines, contributing to the work’s graphic intensity. The color palette is restrained; muted pinks, greens, and blues dominate, applied in broad washes that further flatten the pictorial space. A warm ochre tone serves as a unifying ground for the composition, visible through the layers of overlying colors.
The artists approach eschews traditional perspective and modeling. Objects are not depicted realistically but rather as collections of simplified forms, suggesting an interest in exploring the underlying structure of visual perception. The deliberate distortion and abstraction challenge conventional notions of representation, inviting viewers to engage with the work on a more conceptual level.
Subtly embedded within this formal arrangement is a sense of melancholy or quiet contemplation. The guitar, traditionally associated with music and joy, appears isolated and somewhat forlorn within its fragmented setting. This juxtaposition creates an ambiguity that resists easy interpretation; it suggests a questioning of established values or a reflection on the fragility of beauty in a rapidly changing world. The limited color range reinforces this subdued mood, contributing to a feeling of introspection rather than exuberance.
The inscription at the bottom right corner provides a date – 18-4-27 – which offers a temporal anchor for the works creation and potentially hints at its historical context.