1919 Sept danseuses dont Olga Picasso au premier plan Pablo Picasso (1881-1973) Period of creation: 1919-1930

The work presents a group portrait of dancers, rendered in a starkly simplified style. Here we observe nine figures arranged within a shallow pictorial space, delineated with clean, unbroken lines against a warm, aged background. The composition lacks depth; the dancers appear stacked rather than occupying distinct planes.
Each figure is characterized by an elongated neck and stylized facial features – large eyes, small mouths, and simplified noses. A recurring motif of floral garlands encircles their heads, suggesting a theatrical or ceremonial context. Their poses are varied: some raise their arms in gestures that might indicate dance movements, while others appear to be lost in thought or introspection. The dancer positioned at the forefront, seemingly more detailed than the rest, is angled towards the viewer, creating a focal point within the group.
The absence of shading and color contributes to an overall flatness, emphasizing the linear quality of the drawing. This reductionist approach strips away any sense of realism, instead focusing on the essential forms and gestures that define each dancer’s presence. The aged paper background introduces a patina of time, suggesting a historical context or perhaps hinting at the ephemeral nature of performance itself.
Subtextually, the work seems to explore themes of collective identity and individual expression within a group setting. The uniformity in facial features and attire suggests a shared experience or profession, while the varied poses imply differing emotional states or internal narratives. The floral garlands could symbolize beauty, fragility, or even a sense of idealized femininity. The overall effect is one of quiet contemplation, inviting viewers to consider the complexities of human connection and the fleeting nature of artistic representation.