1921 Baigneuses Pablo Picasso (1881-1973) Period of creation: 1919-1930

The drawing presents a group of female figures arranged within a shallow, rectangular space delineated by a horizontal line at the bottom and a suggestion of a wall or backdrop above. The composition is characterized by its linearity; forms are rendered primarily through outlines, with minimal shading or tonal variation. This emphasis on contour creates a sense of flatness and abstraction.
Several women populate the scene. One figure dominates the central position, standing upright and holding a long, slender object – possibly a staff or branch – extended horizontally across her body. Her posture is assertive, almost commanding, while her gaze appears directed outward. To her left, two figures are depicted in dynamic poses, seemingly engaged in some form of playful interaction; one lies prone with an arm raised, the other leans over her. A seated figure occupies a lower corner of the composition, facing towards the central woman. Further to the right, another female figure stands, positioned slightly behind and to the side of the central figure.
The figures’ anatomy is stylized rather than realistically rendered; proportions are elongated, and facial features are simplified. The breasts are indicated with minimal detail, contributing to a sense of generalized femininity rather than individual portraiture.
A notable element is the deliberate lack of depth or perspective. The figures appear to exist on a single plane, reinforcing the drawing’s two-dimensional quality. This stylistic choice contributes to an overall impression of timelessness and universality.
Subtly, the arrangement suggests a hierarchy within the group. The standing figures central placement and upright posture imply authority, while the other women seem to occupy subordinate roles. The interaction between the reclining figures hints at intimacy or camaraderie, contrasting with the more formal stance of the central woman. The drawing’s simplicity and linearity evoke classical sculpture, particularly Greek vase painting, suggesting a deliberate engagement with art historical traditions. It is possible that the work explores themes of female community, power dynamics, or idealized beauty through its stylized representation of the human form.