Pablo Picasso Period of creation: 1919-1930 – 1920 Joueur de guitare
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The figure’s body is not rendered realistically; instead, its suggested through overlapping planes that shift in perspective. The head appears as a simplified oval, positioned slightly off-center. Limbs are indicated by angular forms, their articulation obscured by the fractured arrangement. The guitar itself is similarly disassembled, its curves and contours broken down into geometric components.
The background is defined by broad areas of color, creating a shallow pictorial space. A circular form floats near the upper portion of the canvas, adding a note of ambiguity to the scene – it could be interpreted as an eye, a celestial body, or simply a formal element. The edges of the shapes are often sharply delineated, yet softened in places by subtle gradations of color, preventing the composition from appearing overly rigid.
Subtly, theres a sense of melancholy conveyed through the subdued colors and the fragmented nature of the subject matter. The deconstruction of both figure and instrument might be read as an exploration of the act of performance itself – the breaking down of skill into its constituent parts, or perhaps a commentary on the fragility of human expression. The disjointedness could also suggest a sense of alienation or isolation, hinting at a psychological state rather than simply depicting a physical scene.
The deliberate lack of depth and perspective contributes to a feeling of confinement, as if the figure is trapped within this geometric framework. This visual constriction reinforces the introspective mood and invites contemplation on themes of identity, representation, and the nature of artistic creation.