1920 Paysage Е Juan-les-Pins. JPG Pablo Picasso (1881-1973) Period of creation: 1919-1930

The canvas presents a landscape dominated by geometric forms and a muted color palette. Here we observe a body of water extending towards a distant horizon line punctuated by mountainous terrain. The mountains themselves are rendered in shades of blue and purple, with the upper slopes exhibiting a reddish-brown hue that suggests either sunset or atmospheric perspective.
In the foreground, architectural elements intrude upon the natural scene. A building, characterized by stark white walls and a red roof, occupies the left side of the composition. Its structure is fragmented, appearing as if viewed from multiple angles simultaneously. To the right, a dark wooden fence partially obscures a glimpse of what appears to be another structure with a similarly colored roof. Dense foliage, painted in varying shades of green and black, fills much of the foreground space, further obscuring details and creating a sense of visual blockage.
The artist’s brushwork is notably rough and textured, contributing to the overall impression of fractured reality. The application of paint appears deliberate, with visible strokes that emphasize the materiality of the medium. Theres an absence of traditional perspective; spatial relationships are flattened and ambiguous. This lack of depth contributes to a sense of detachment from the depicted scene.
Subtly, the painting conveys a feeling of displacement or alienation. The fragmented architecture suggests a disruption of order, while the obscured view hints at a barrier between the observer and the landscape. The muted color scheme reinforces this mood, evoking a sense of melancholy or quiet contemplation. It is possible to interpret the work as an exploration of how human structures interact with – and potentially disrupt – the natural world, or perhaps as a reflection on the subjective nature of perception itself. The scene feels less like a straightforward representation and more like a psychological landscape, where familiar elements are rendered unfamiliar through stylistic choices.