1920 Nature morte au guВridon et Е lassiette Pablo Picasso (1881-1973) Period of creation: 1919-1930

The composition presents a still life rendered in a fractured and abstracted style. The artist has dismantled recognizable forms into geometric planes and overlapping shapes, creating a sense of spatial ambiguity. A warm ochre background dominates, providing a muted backdrop against which the fragmented elements are arranged.
A central area is defined by a series of interlocking green, red, and white blocks. These shapes suggest a table or surface upon which various objects rest. To the left, a bottle with a curved neck appears, its form similarly broken down into angular segments. A circular shape, possibly a plate, sits centrally within the composition, partially obscured by other planes. Above it, a cluster of green forms might represent foliage or fruit, though their precise nature is elusive due to the deconstruction of form.
The artist’s use of color contributes significantly to the overall effect. The ochre background lends a sense of warmth and earthiness, while the cooler greens and reds introduce visual tension and complexity. The limited palette reinforces the feeling of restraint and deliberate construction.
A large white plane occupies the lower portion of the canvas, its edge undulating in a manner that disrupts any clear horizon line. This element seems to function as both a foreground screen and an extension of the background, further complicating spatial relationships.
The painting’s subtexts revolve around the nature of perception and representation. The artist appears less interested in depicting objects realistically than in exploring how they are perceived and understood. By dismantling recognizable forms, the work challenges conventional notions of perspective and invites viewers to actively reconstruct meaning from fragmented visual cues. There is a sense of intellectual rigor at play; the arrangement feels deliberate rather than arbitrary, suggesting an exploration of formal relationships and compositional strategies. The overall effect is one of controlled chaos – a carefully orchestrated disruption of traditional pictorial space.