Pablo Picasso Period of creation: 1931-1942 – 1938 Le coq
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The color palette is striking – a combination of reds, greens, yellows, blues, and purples are employed in thick, parallel strokes that define the rooster’s plumage. These lines do not merely describe shape; they contribute to a sense of dynamism and visual energy. The feathers appear almost layered, creating depth despite the overall flatness of the composition.
The artists treatment of the bird’s body is particularly noteworthy. The torso is delineated with vertical stripes, which disrupt the expected contours and introduce an element of abstraction. This unusual detail could be interpreted as a symbolic overlay – perhaps suggesting a sense of confinement or a disruption of natural order. The tail feathers are elongated and fan out dramatically, further emphasizing the bird’s assertive presence.
The background is deliberately understated; a pale, neutral tone allows the rooster to dominate the visual field. The signature in the lower right corner, rendered in a cursive script, provides a subtle anchor within the composition.
Subtextually, the work seems to explore themes of vitality and perhaps even defiance. The rooster, traditionally associated with dawn and new beginnings, is presented not as a passive symbol but as an active participant, seemingly proclaiming its existence through sound and posture. The abstracted form and unconventional color choices suggest a departure from conventional representation, hinting at a desire to convey something beyond the literal depiction of a bird. It’s possible that the stripes on the body allude to a sense of constraint or societal pressure, contrasting with the roosters otherwise bold display.