Pablo Picasso Period of creation: 1931-1942 – 1938 Homme au gant rouge
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The color palette is restricted primarily to shades of red, brown, and white, creating a sense of somberness and visual weight. The skin tone appears dark, almost monochromatic, with subtle variations in hue suggesting underlying musculature or bone structure rather than realistic pigmentation. A prominent white beard contrasts sharply against the darker complexion, drawing attention to the lower portion of the face.
The artist employed a technique that deconstructs traditional portraiture; features are not rendered naturally but are instead presented as geometric forms arranged in an unconventional manner. The nose is reduced to a triangular shape, while the mouth appears as a jagged opening. This distortion contributes to a feeling of unease and psychological complexity. A red glove is visible on the left hand, adding a touch of formality or perhaps symbolic significance.
The background is indistinct, composed of muted tones that serve to isolate the figure and intensify his presence. The brushwork is vigorous and expressive, with visible strokes contributing to the overall sense of dynamism.
Subtly, there’s an impression of confinement or introspection conveyed through the subjects posture and expression. The rigid lines and limited color range suggest a mood of restraint, perhaps hinting at underlying tension or suppressed emotion. The red glove might symbolize power, status, or even a barrier between the individual and his surroundings. Ultimately, the work seems to explore themes of identity, alienation, and the complexities of human experience through a lens of formal abstraction.