1948 Lastre decorВ dune tИte de femme Pablo Picasso (1881-1973) Period of creation: 1943-1961

The composition presents a fragmented female portrait rendered on what appears to be a ceramic tile. The face is bisected vertically, with each half exhibiting distinct characteristics and perspectives. One side displays a profile view, characterized by a prominent nose and a simplified eye, while the other reveals a frontal gaze, marked by an elongated chin and a more detailed rendering of the mouth. This duality immediately suggests a fractured identity or a multiplicity of perspectives on a single subject.
The color palette is dominated by earthy tones – ochre, brown, and terracotta – which contribute to a sense of warmth and antiquity. These hues are juxtaposed with stark black outlines that define the facial features and create a graphic quality. A band of vertical green stripes appears around the neck, introducing a contrasting element that disrupts the overall monochromatic feel and draws attention to the figure’s upper body.
The artists use of flattened planes and angular forms is characteristic of a style that prioritizes conceptual representation over realistic depiction. The absence of shading or subtle gradations in tone reinforces this effect, emphasizing the two-dimensionality of the surface. This approach lends itself to an exploration of psychological states rather than physical appearance.
The division of the face could be interpreted as symbolic of internal conflict, a duality of personality, or perhaps a commentary on societal expectations imposed upon women. The contrasting perspectives – one looking outward, the other inward – might represent opposing forces within the individuals psyche. Furthermore, the choice of ceramic tile as a medium suggests fragility and permanence simultaneously; the image is both delicate and enduring, hinting at themes of memory and resilience.
The overall impression is one of introspective contemplation, inviting viewers to consider the complexities of identity and perception through the lens of fragmented representation.