1960 Nu les bras croisВs Pablo Picasso (1881-1973) Period of creation: 1943-1961

The composition presents a figure rendered in a fragmented and distorted style. The subject appears to be female, though conventional notions of beauty are entirely abandoned in favor of angularity and asymmetry. Here we see a profile view dominating the left side of the canvas, while a frontal perspective is imposed on the right. This juxtaposition immediately creates a sense of unease and disorientation.
The color palette is restrained, primarily consisting of muted blues, grays, and ochres. The limited range contributes to a somber atmosphere, reinforcing the feeling of psychological distress conveyed by the figure’s expression. A stark contrast emerges from the use of orange-brown tones for parts of the face and arm, which draw attention to these features while simultaneously isolating them within the overall monochromatic scheme.
The eyes are particularly striking. The eye in profile is large and seemingly vacant, conveying a sense of detachment or perhaps even despair. In contrast, the frontal eye appears intensely focused, almost accusatory, suggesting an awareness that contradicts the passivity implied by the profile view. This duality creates a complex interplay between vulnerability and defiance.
The figure’s arms are crossed, forming a barrier between the individual and the viewer. The gesture can be interpreted as defensive or withdrawn, indicative of emotional isolation. The simplification of form – the reduction of anatomical detail to essential lines and planes – further emphasizes this sense of alienation.
Subtly, there is an implication of masking or concealment. A band-like structure covers part of the face, obscuring features and suggesting a deliberate attempt at disguise or protection. This element introduces a layer of ambiguity; it could represent literal covering, but also a metaphorical shielding from external scrutiny or internal turmoil.
The overall effect is one of profound psychological complexity. The artist has not simply depicted a person, but rather explored themes of identity, vulnerability, and the fragmented nature of human experience. The work seems to probe at the boundaries between perception and reality, inviting contemplation on the fragility of selfhood.