1943 Premiers pas Pablo Picasso (1881-1973) Period of creation: 1943-1961

The composition presents a figure rendered in a fragmented and angular style, characteristic of a Cubist approach. The subject appears to be a child, depicted with disproportionately large eyes that dominate the face and convey a sense of vulnerability or perhaps apprehension. A dark shape looms above, partially obscuring the upper portion of the child’s head; its form is ambiguous, suggesting either another figure or an abstract presence.
The color palette is restrained, primarily utilizing shades of blue, gray, white, and black. The blues used for the childs attire – a tunic-like garment and trousers – offer a contrast to the darker background, drawing attention to the central subject. Brushstrokes are visible, contributing to a sense of immediacy and raw emotion.
The artist employed a flattened perspective, with planes intersecting at unusual angles. This disrupts any illusion of depth and emphasizes the two-dimensionality of the canvas. The child’s limbs are articulated through sharp lines and geometric shapes, creating a somewhat stiff and unnatural posture. The feet, rendered in detail, seem oversized relative to the body, further contributing to the sense of fragility.
Beyond the literal depiction of a child, the painting seems to explore themes of protection and potential threat. The looming dark shape could be interpreted as a symbol of oppression or uncertainty, casting a shadow over the innocence represented by the child. The large eyes suggest an awareness of this perceived danger, hinting at a psychological state of anxiety or fear.
There is a palpable tension within the work – a juxtaposition of vulnerability and resilience. The child’s stance, while seemingly unsteady, also conveys a sense of determination to move forward despite the looming presence above. The overall effect is one of quiet drama, inviting contemplation on themes of childhood, adversity, and the human condition under duress.