1946 PИcheur assis Е la casquette Pablo Picasso (1881-1973) Period of creation: 1943-1961

The composition presents a figure seated, rendered in a fractured and angular style. The subject appears male, identifiable by the cap perched atop his head; this cap is itself constructed from geometric planes, echoing the overall aesthetic of the work. He holds what seems to be a pipe, its form similarly deconstructed into sharp facets.
The color palette is dominated by ochre for the background and a range of blues, whites, and browns for the figure’s clothing and features. The use of stripes in the depiction of his shirt introduces a rhythmic element that contrasts with the otherwise fragmented forms. These lines also contribute to an impression of movement or instability.
The face is reduced to essential planes; the eyes are represented by simple dark shapes, conveying a sense of introspection rather than direct engagement. A pronounced nose and angular mouth further emphasize the stylized nature of the portrait. The figure’s posture suggests weariness or contemplation – he seems slumped slightly forward, his body angled away from the viewer.
The backgrounds flat ochre tone isolates the figure, intensifying the focus on his form and expression. There is a deliberate lack of spatial depth; objects appear flattened against the plane of the canvas. This contributes to an overall sense of abstraction and challenges conventional notions of perspective.
Subtly, one might interpret this work as reflecting themes of resilience or quiet endurance. The figure’s posture and the muted color scheme suggest a certain melancholy, while the geometric construction implies a deliberate attempt to rebuild or reconstruct identity in the face of adversity. The pipe he holds could symbolize solace or routine amidst hardship. Ultimately, the painting invites contemplation on the human condition through its exploration of form, color, and gesture.