1959 Nature morte Е la dame-jeanne Pablo Picasso (1881-1973) Period of creation: 1943-1961

The composition presents a still life arrangement rendered in a flattened perspective and with a deliberate reduction of form. Here we see three primary objects arranged on a table surface that dominates the lower portion of the canvas. The background is divided horizontally; a muted green occupies the upper section, contrasting sharply with the vibrant yellow of the tabletop.
The central object is a vessel of irregular shape, its contours simplified to geometric planes. Its surface is covered in a dense pattern of dark lines, creating an effect of texture and complexity that contrasts with the smooth curves of the other elements. To the right stands a tall, slender bottle, also reduced to essential shapes. A rectangular form, seemingly a label or decorative element, adheres to its side, featuring a stylized arrangement of red, white, and blue vertical stripes.
To the left, partially obscured by the vessel, lies a dark, roughly cuboid object, likely a box or container. Its presence anchors the composition and provides visual weight. The objects are not depicted with realistic shading or depth; instead, they appear as flat planes of color, emphasizing their two-dimensionality.
The palette is restrained but impactful. The dominance of yellow and green creates a sense of warmth and vibrancy, while the dark lines and shadows introduce contrast and visual interest. The limited range of colors contributes to the overall feeling of austerity and formal rigor.
Subtly, the arrangement suggests an exploration of perception and representation. The fragmentation of forms and the flattening of space challenge conventional notions of realism. The patterned surface on the central vessel could be interpreted as a commentary on decoration or ornamentation, while the stylized label on the bottle hints at themes of branding and consumerism. Ultimately, the painting invites contemplation about how we construct meaning through visual language and the reduction of complex forms to their essential elements.