1967 Buste de femme Pablo Picasso (1881-1973) Period of creation: 1962-1973

The work presents a portrait bust rendered in black ink on white paper. The subject is depicted with a pronounced angularity and fragmentation characteristic of a specific artistic approach. Here we see a female figure, though her features are abstracted and reconfigured into geometric shapes.
The face is dominated by large, almond-shaped eyes positioned asymmetrically. One eye appears more prominent than the other, contributing to an unsettling visual imbalance. The nose is reduced to a sharp, triangular form that intersects with the brow line, while the mouth is suggested through a series of curved lines and angular shapes, lacking any conventional representation of lips or expression.
The hair is indicated by thick, brushstroke-like markings at the top of the head, suggesting volume and texture despite their simplicity. The neck appears elongated and rigid, merging into broad shoulders that are delineated with vertical strokes. A decorative element, resembling a stylized collar or shawl, wraps around the figure’s upper body, adding another layer of geometric patterning.
The background is largely devoid of detail, save for some linear markings that create a sense of depth and texture. These lines appear to echo the angularity of the subjects features, reinforcing the overall fragmented aesthetic. The artist has inscribed a date – 30.9.67 – in the lower left corner, providing a temporal anchor for the work.
Subtly, the portrait conveys a sense of psychological complexity and emotional restraint. The distortion of facial features suggests an exploration beyond mere physical likeness, hinting at an internal state or perhaps a commentary on societal expectations placed upon women. The stark contrast between black ink and white paper amplifies the drama and intensity of the composition. The deliberate asymmetry and fragmentation challenge conventional notions of beauty and representation, inviting viewers to engage with the work on a more intellectual and emotional level. It is possible that the artist intended to convey a sense of alienation or detachment through this deconstruction of the human form.