1965 Chat et homard Pablo Picasso (1881-1973) Period of creation: 1962-1973

The composition presents a still life arrangement dominated by two marine creatures: a lobster and a cat. The artist has rendered them in a style characterized by fragmented forms and distorted perspectives, reminiscent of Cubism but with a distinct expressive quality. The lobster occupies the central space, its segmented body depicted with sharp angles and an emphasis on its claws, which are prominently displayed. Its coloration is primarily blue-grey, punctuated by darker shadows that suggest volume and texture.
The cat, positioned partially behind and overlapping the lobster, appears more fluid in form, though equally fragmented. It’s rendered in shades of black, grey, and white, with a suggestion of green highlights around its eyes. The interaction between the two animals is ambiguous; they do not appear to be engaged in direct conflict or companionship, but rather exist within the same spatial plane, their forms intertwined.
The background consists of vertical red planes, which are rendered with vigorous brushstrokes that create a sense of dynamism and visual tension. These planes seem to both contain and encroach upon the figures, contributing to an overall feeling of confinement and unease. The application of paint is thick and impastoed, particularly in the rendering of the lobster’s shell, adding tactile depth to the scene.
Beyond the literal depiction of these animals, the painting seems to explore themes of predation, vulnerability, and perhaps even a sense of shared existence within a precarious environment. The cats presence introduces an element of domesticity that contrasts with the wildness implied by the lobster, creating a subtle tension between the familiar and the alien. The distorted forms and jarring color palette contribute to a dreamlike or surreal atmosphere, suggesting that this is not merely a representation of reality but rather an exploration of psychological states or symbolic meanings. The red background could be interpreted as representing danger, passion, or even a sense of entrapment. Ultimately, the work resists easy interpretation, inviting viewers to contemplate the complex relationship between these creatures and their environment.