1968 Chouette 2 Pablo Picasso (1881-1973) Period of creation: 1962-1973

The artwork presents a ceramic sculpture depicting an owl. The form is stylized and simplified, prioritizing volume over precise anatomical representation. The body swells into a rounded torso that tapers towards a small, almost rudimentary head. A short, thick pedestal provides stability.
The surface of the object is covered in a pattern of applied paint. A creamy white base serves as a backdrop for an array of markings – brown and black brushstrokes suggest feathers, while touches of green add visual complexity. The eyes are particularly striking: large, circular, and composed of concentric rings of color, creating a sense of intense focus or perhaps even a slightly unsettling gaze.
The decorative scheme appears deliberately unsophisticated; the application of paint is not uniform, with visible brushstrokes and areas where the white base peeks through. This contributes to an overall impression of immediacy and spontaneity. The colors are earthy and muted, avoiding any sense of vibrancy or overt ornamentation.
Beyond a straightforward depiction of an owl, the piece seems to explore themes of simplification and abstraction. It is not intended as a realistic portrayal but rather as a symbolic representation – perhaps evoking qualities associated with owls such as wisdom, observation, or nocturnal activity. The deliberate lack of detail and the somewhat awkward proportions might suggest a playful engagement with traditional artistic conventions, hinting at an interest in folk art or primitive aesthetics.
The object’s materiality – the rough texture of the ceramic and the visible application of paint – adds another layer to its meaning. It emphasizes the handmade quality of the work, suggesting a connection to craft traditions and a rejection of industrial production. The overall effect is one of quiet contemplation and understated charm.