Arhip Kuindzhi – Crimea. Southern coast.
1887
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist depicted a layered topography; the land gently slopes downwards toward the sea, which is only hinted at by a pale band along the distant edge of the composition. The foliage obscures much of the terrain, creating an impression of depth rather than precise spatial relationships. Individual trees are not rendered with meticulous detail but appear as masses of color and texture, contributing to the overall atmospheric effect.
A notable element within the scene is the presence of a building situated on slightly elevated ground towards the right side of the composition. Its pale coloration contrasts with the surrounding earth tones, drawing attention to its architectural form. A plume of smoke rises from what appears to be an industrial structure in the distance, positioned centrally and further back than the building. This detail introduces a subtle tension between the natural beauty of the landscape and the encroachment of human activity or industry.
The painting’s subdued color scheme and loose brushwork evoke a mood of quiet contemplation. The absence of figures reinforces this sense of solitude and invites the viewer to engage with the scene on its own terms, appreciating the interplay of light, color, and texture. There is an underlying feeling of melancholy; the muted tones and obscured view suggest a landscape viewed through a veil of time or memory. It’s possible to interpret the work as a meditation on the passage of seasons, the relationship between humanity and nature, or perhaps even a subtle commentary on the impact of progress upon a seemingly untouched environment.