Rembrandt Harmenszoon Van Rijn – Maertgen van Bilderbeecq
1633. 67x55
Location: Städelsches Kunstinstitut, Frankfurt am Main.
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The subtexts of this painting likely relate to the social status and identity of the sitter. The elaborate and expensive lace cap and ruff collar are clear indicators of wealth and social standing in the 17th century. The meticulous rendering of these textiles suggests the artists skill and the importance placed on such adornments. The direct, yet serene, gaze of the sitter can be interpreted as conveying a sense of self-assurance and dignity. The oval format of the painting, common for portraits of the era, further emphasizes the subject and her presentation. The painting serves as a visual record of a woman of a certain social class, adorned in the fashionable attire of her time, with a direct and unpretentious portrayal of her features.