The Swing (La Balancoire) Pierre-Auguste Renoir (1841-1919)
Pierre-Auguste Renoir – The Swing (La Balancoire)
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Painter: Pierre-Auguste Renoir
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The painting The Swing is dated 1876. The work of art belongs to the brush of the famous French master Pierre Auguste Renoir. The painting has the size of 92x73 cm, and with a frame 111x92 cm. In 1877, the canvas was presented at the 3rd exhibition of impressionists. From the same year, the painting found its place in the collection of Gustave Caybotte. He was a marshal of France as well as a painter.
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Description of Pierre Auguste Renoir’s painting The Swing
The painting The Swing is dated 1876. The work of art belongs to the brush of the famous French master Pierre Auguste Renoir. The painting has the size of 92x73 cm, and with a frame 111x92 cm.
In 1877, the canvas was presented at the 3rd exhibition of impressionists. From the same year, the painting found its place in the collection of Gustave Caybotte. He was a marshal of France as well as a painter. After Gustave died, the painting became the property of the state. Since 1894, the painting was given to the Museum in the Luxembourg Garden. In the Louvre the painting came only in 1929. In the gallery of Jae de Pom "Swing" was exhibited since 1947. Since 1986 and up to now the work of art is in the Musée d’Orsay.
It is known that Renoir’s favorite model was Marguerite Legrand. It is assumed that it was she who posed the master for his famous work "Swing". On the canvas depicts a beautiful young lady who stands on a swing, with her arms around the ropes, so as not to fall. She is dressed in a white and blue dress with coquettish bows.
Facing the woman and with her back to the viewer is a man. Apparently, they are talking about something. The young man is wearing a blue jacket and a straw hat. Behind them, in the background, a group of strollers are having an animated conversation.
The left side of the canvas shows another man peering out from behind a tree. And next to him is a little blonde girl. Who is contemplating with genuine delight the charming lady riding on the swings. The child’s blank stare adds a certain charm to the story.
Renoir not stingy with bright colors and generously endowed the canvas with them. The painting is done in blue, green and white scales. The sun’s rays are breaking through the trees’ crowns, adding to the subject’s liveliness. They glare at the figures, their hats, and their clothes.
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Standing behind her is a gentleman, his face partially obscured by the brim of a straw hat. He appears to be pushing the swing, yet his proximity to the woman and the suggestive angle of his body introduce an element of intrigue. His attire – a dark suit and hat – contrasts with the lightness of the woman’s dress, creating a visual distinction that may signify social or hierarchical differences.
At the lower left corner of the composition, a young boy sits on a bench, intently observing the scene. He is dressed in casual clothing, his posture mirroring the stillness of the surrounding foliage. His focused attention suggests he is privy to an unspoken narrative, acting as a silent witness to the interaction between the woman and the gentleman.
The background is rendered with loose brushstrokes, creating a hazy atmosphere that blurs the boundaries between foreground and background. The dense vegetation contributes to the overall feeling of seclusion and intimacy. Light filters through the trees, dappling the scene in patches of illumination and shadow.
Subtleties within the composition suggest an underlying narrative of flirtation and concealed desire. The woman’s downward gaze and the gentlemans proximity imply a playful dynamic, while the boy’s observant presence adds a layer of voyeurism to the scene. The arrangement of figures and their interactions create a sense of anticipation and unspoken communication, inviting speculation about the relationships between them. The overall effect is one of leisurely enjoyment tinged with an undercurrent of romantic intrigue, captured within a moment suspended in time.