Robert Frederick Blum – Japanese Girl
1890. pastel on paper
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The artist has rendered her skin tones in muted shades of pink and beige, subtly shaded to indicate form and volume. The neck appears slender, and the shoulders are bare, revealing a delicate collarbone structure. A loosely draped garment, likely a blouse or robe, is indicated by strokes of blue-grey pastel, with darker brown accents suggesting folds and texture.
The most striking element is undoubtedly the head covering – a voluminous white cloth that obscures much of her hair. The artist has employed vigorous, swirling marks to depict its fabric, creating a sense of movement and lightness. This headdress contributes significantly to the overall mood, lending an air of mystery and perhaps even suggesting a cultural or historical context beyond immediate recognition.
The background is rendered in soft, blended tones of grey-green and brown, deliberately understated so as not to detract from the figure’s presence. The artists use of pastel allows for a remarkable range of tonal variation, creating a sense of atmospheric depth despite the drawing’s relatively small scale. A signature or mark appears in the lower right corner, rendered in red ink, adding a personal touch and confirming authorship.
Subtly, the work seems to explore themes of identity and representation. The womans gaze avoids direct engagement with the viewer, fostering a sense of distance and inviting contemplation about her inner world. The head covering could be interpreted as a symbol of cultural heritage or perhaps even a deliberate attempt at anonymity, prompting questions about the subject’s background and story. The overall effect is one of quiet beauty and understated emotional depth, leaving room for individual interpretation and reflection.