Portrait of Alexander Stankevich Henryk Semiradsky (1843-1902)

The portrait presents a man in a three-quarter view, set against a deep, saturated red background. The sitters gaze is directed towards the viewer with a directness that conveys both intelligence and a certain weariness. He appears older, evidenced by the deeply etched lines around his eyes and mouth, and the prominent gray beard and mustache which frame his face. His hair, receding at the temples, is rendered in loose brushstrokes suggesting texture and volume.
The artist employed a technique characterized by visible brushwork and an impasto application of paint, particularly noticeable in the rendering of the facial features and beard. This approach lends a sense of immediacy and vitality to the depiction, avoiding smooth surfaces that might suggest artificiality. The lighting is focused on the face, highlighting its contours and emphasizing the play of light and shadow across the skin.
The man’s attire appears simple – a dark jacket or coat with a high collar – suggesting modesty and perhaps an unpretentious nature. Theres a deliberate lack of ornamentation; the focus remains firmly on his countenance. The inscription in the upper right corner, though partially obscured, identifies him as malarz (painter) and notes his death year, 1892. A signature is visible in the lower left corner.
Subtly, the red background contributes to a somber mood, potentially reflecting the sitter’s age or perhaps hinting at a sense of melancholy. The direct gaze suggests introspection and invites contemplation on the subjects life and experiences. The overall impression is one of quiet dignity and intellectual depth, portraying an individual marked by time and experience.